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Women In The 17th, 18th, and 19th century
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In the 17th century rich women would normally be taught at home by a tutor, they were taught subjects like Latin, French, Needlework, and how to converse, and they were also taught how to look pretty and to play instruments like the piano. When they were older there parents would decide who they were going to marry and the family of the women would pay a dowry to the parents of the husband. They only got married to get more popular and look more important, if the wives husband thought the wives got annoying the husband would put a scolds...
any more, the would just wear tight cloths and shorter dresses so they could dance easier because they danced differently, they swung about more and moved there legs more.

My Conclussion I think the role of women changed quite a lot, because its all lead to the world how it is today which is nothing like it was then. If the people did half of what we did today then the people wouldn't of found it very polite. I think all the changes that happened in the 20th century were good because women were treated more equally like men.

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In Shakespeare's Hamlet, the main character...In Shakespeare's Hamlet, the main character continually delays acting out his duty of avenging his father's murder. This essay will discuss how Hamlet's nature and morals which are intensified by difficult events prevent him from carrying out the task. In the opening scenes of the play, the Ghost of Hamlet's late father reveals to him the true means by which King Hamlet died. The Ghost tells Hamlet that his father's death was caused by Claudius pouring poison into his ear. He exhorts Hamlet to avenge the murder. Hamlet's initial response is to act on the Ghost's exhortation quickly. Hamlet says; "Haste me to know't that I with wings as swift"¦May sweep to my revenge." Yet by the end of the same scene, his reluctance to murder King Claudius is evident. Hamlet says; "This time is out of joint, O cursed spite, that I was ever born to set it right." Many theories have been put forward as to the reasons for Hamlet's delay in avenging the King from hereon in. One theory suggests that Hamlet wished to determine the nature of the Ghost before acting, for he says in Act II:2 that "The spirit I have seen may be a devil." However, even after the 'play within a play' through which Hamlet has obtained his 'proof' as to the nature of the Ghost and confirmed that Claudius is guilty, Hamlet says " I'll take the Ghost's word for a thousand pound," but fails to act and can only contemplate the event. Similarly, when Hamlet happens upon Claudius praying, he does not take the opportunity to kill the King, rather he makes excuses, saying he does not want Claudius to go to heaven. However, this is little more than a delay tactic, and Hamlet also does not make any further plans to kill the King. The most plausible explanation is that Hamlet's own nature and values continually hindered him from performing the task. Hamlet is a sensitive, introverted young man, who is naturally prone to melancholia. The Ghost's revelation and also the fact that his mother has remarried to King Claudius, intensify his already melancholic disposition. His mother's remarriage is an abomination in Hamlet's eyes. This is because the marriage was soon after his father's death, King Hamlet was "But three months dead." This shows little sensitivity to those who are grieving and also implies that their relationship was initiated before King Hamlet died. Secondly, the marriage was against canon law, which made it a sin. Hamlet says to his mother in Act III:4, "Have you not eyes? You cannot call it love. O shame! Where is thy blush?" These successive shocks deepen Hamlet's depression. In Act II:2 Hamlet says to Rosencrantz and Guildenstern, "I have of late"¦lost all my mirth." He falls deeper and deeper into the slough of fruitless brooding. In his first soliloquy he says; "O that this too too solid flesh would melt." Thus, the task is too onerous for the fragile, melancholic Hamlet. In addition, Hamlet was a philosopher rather than a man of action, unlike Claudius and Laertes. He himself sees that one of his problems is to "think too precisely on the event." He is intellectual and reflective, preferring to ponder rather than take action. Hamlet also delays killing the King because he is unsure of the morality of carrying out such a task. This factor is important as Hamlet is a very idealistic and moralistic person. Revenge was prohibited by ecclesiastical law, but the duty of 'personal honour' prevalent in Elizabethan times often won through. In the play, Hamlet debates the morality of revenge, saying that "Is'nt not perfect conscience and isn't not to be damned to let this canke of our nature come in further evil." At this stage it is clear that Hamlet is having serious doubts about killing the King. After all, to kill an anointed King, even in an act of revenge, was considered a serious offence. Furthermore, as Hamlet points out in the above quote, he would be carrying out the very act he was condemning. In addition, in regards to his mother's sin, the ghost had told Hamlet to "leave her to heaven." This creates a moral dilemma for Hamlet because if it is God's duty to deal with his Mother's sin, surely the same applies to Claudius. In conclusion, Hamlet delays in killing the King because of his own character; he is a philosopher and is of a melancholic disposition. External events in the play do not contribute to Hamlet's delay, but are rather used to Hamlet's advantage as excuses to further delay avenging his father's murder.   

In Shakespeare's Hamlet, the main character continually delays acting out his duty of avenging his father's murder. This essay will discuss how Hamlet's nature and morals which are intensified by difficult events prevent him from carrying out the task. In the opening scenes of the play, the Ghost of Hamlet's...

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