"What about the reality of the everyday world and the reality of painting? They are not the same realities. What is this creative thing that you have struggled to get and where did it come from? What reference or value does it have, outside of the painting itself?" Ad Reinhardt, in a group discussion at Studio 35, in 1950. My essay starts with the origin and the birth of this great expression in the twentieth century. This movement not only touched painting, it had an affect on various aspects of art- poetry, architecture, theater, film, photography. Vasily Kandinsky, Kazimir Malevich...
spiritual harmony in which all the main characters flew away from the painful realities of life. He said, " Their own sentiment of form instead was one of comfort. The beauty of comfort. The great curve of a bridge was beautiful because people could go across the river in comfort. To compose in curves like that, and angles, and make works of art with them could only make people happy, they maintained, for the only association was one of comfort. That millions of people have died in war since then, because of that idea of comfort, is something else."