How politically liberating is rap music?
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NWA was a gangsta rap crew who told stories of the 'hustler' lifestyle where "life ain't nothin' but bitches and money." As such, they relied heavily on being as offensive as possible. The cover of their 1988 album, Straight Outta Compton, features a power-emphasising low-angle shot of the band members looking down into the camera, which places the audience in the position of the defeated enemy. A gun is pointing straight at us. Each man is wearing 'street' clothes, and one has a chunky gold necklace showing. The picture is shot in natural lighting, and the eyes of three of...
most highly prized possessions," which has a clear anti-materialist message.20 Rap has some of its roots in old African American traditions of 'toasting' - the speaking of "vernacular poetry made from street language." Toasting itself is linked to what Cross calls the "African art of rhyming over beats," which is clearly rap's birthplace.21 Ultimately, hiphop is "a community of bedrooms… In homes all over the city people gather around turntables… different perspectives are shared, microphone techniques are invented and beatbrokers collage new soundtracks for urban survival."22 Bringing people together, encouraging creativity, celebrating blackness - this is rap's true legacy.
most highly prized possessions," which has a clear anti-materialist message.20 Rap has some of its roots in old African American traditions of 'toasting' - the speaking of "vernacular poetry made from street language." Toasting itself is linked to what Cross calls the "African art of rhyming over beats," which is clearly rap's birthplace.21 Ultimately, hiphop is "a community of bedrooms… In homes all over the city people gather around turntables… different perspectives are shared, microphone techniques are invented and beatbrokers collage new soundtracks for urban survival."22 Bringing people together, encouraging creativity, celebrating blackness - this is rap's true legacy.
It"s 4:00 pm and you just got home from school. You turn on the radio only to hear some media generated stuff banded together by some lame drum beats. This is unfortunetly, the music of today. Along with pop music and boy bands, alternative and rock music has , essentially...
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REVISED AND EXPANDED HERE, THIS PIECE ORIGINATED AS AN "ORAL ESSAY" FOR THE COSMOETICA OMNIVERSICA INTERVIEW SERIES More or less officially unveiled with the first New York appearance of the Ornette Coleman Quartet at the Five Spot Café in the fall of 1959, free jazz or new black music, space...
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Two great writers of American musical theatre, Richard Rodgers and Oscar Hammerstein II, had one idea in common. They wanted to present to the American public a new and revolutionary musical that would stand out above the rest. They wanted to make an impact on the societies of the era....
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Kurt Cobain and Jim Morrison were more than leads of great bands. They were heros of their generations. They had so many talents and each influenced a multitude of people. Aside from being singers and song writers Kurt was also a musician, guitarist and mass-media phenomenon, and Jim was also...
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Abstract This essay is a discussion of how the way jazz trumpeter Miles Davis changes his way of improvising, looking at two pieces from different times. The solos in the pieces were transcribed by myself and then analysed in detail. From these analyses, several conclusions on the style of improvising...
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