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Falstaff
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Romanticism, as stated in the American Heritage Electronic Dictionary is, "An artistic and intellectual movement originating in Europe in the late 18th century and characterized by a heightened interest in nature, emphasis on the individual"s expression of emotion and imagination, departure from the attitudes and forms of classicism, and rebellion against established social rules and conventions." Falstaff is the ideal romantic character. In an article written by Harry T. Baker titled, "The Two Falstaffs" Baker writes against all the critics who claim that the Falstaff from Henry IV parts I and II is a different character then the Falstaff in...
he could have continued to be unapproachable in wit and humor. But he takes his employment seriously. He steps out of his fourth-dimensional world into the real world. And the result is the opposite of the romantic humor of Henry IV. Falstaff is still Falstaff; there are no two Falstaffs. But he has changed his mind. He has been so foolish to attempt to compete with those who take life seriously. It was cruel to Shakespeare to put Falstaff into Vanity Fair, into the real world but at any rate there is no inconsistency in the portrayal of Falstaff."
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