The psychophysical problem is long standing and, probably, intractable. We have a corporeal body. It is a physical entity, subject to all the laws of physics. Yet, we experience ourselves, our internal lives, external events in a manner which provokes us to postulate the existence of a corresponding, non-physical ontos, entity. This corresponding entity ostensibly incorporates a dimension of our being which, in principle, can never be tackled with the instruments and the formal logic of science. A compromise was proposed long ago : the soul is nothing but our self awareness or the way that we experience ourselves. But...
the artist, neither his group of reference can do it. This mission is nigh impossible.

Thus, an artist must make a decision early on in his career:

Should he remain loyal and close to his emotional experiences and studies and forgo the warmth and comfort of being reassured and directed from the outside, through the reactions of the reference group, or should he consider the views, criticism and advice of the reference group in his artistic creation - and, most probably, have to compromise the quality and the intensity of his original emotion in order to be more communicative.